‘Maharaj,’ directed by Siddharth P. Malhotra and produced by Aditya Chopra, is a movie I would not give much thought to if not for its metaphors and underlying narrative, which reflect modern Indian society. On the surface, it’s a typical Yash Raj production with overacting and perfectly manicured performers without a hair out of place. The set-like art design and stage of a typical Bollywood film make it feel unreal, unlike the incidents that take place in the period it depicts.

Beneath the bright colours, song and dance sequences, and very Bollywood-esque style of production lies an underlying theme. It made me wonder if Aditya Chopra is attempting to make a stand in the face of a society turning to demi-gods and superstition. The movie is indeed an allegory for the current society and its demurral to the self-appointed God ruling the throne, or rather, the country.

The film explores how Indians have placed themselves at the feet of a self-anointed god, giving up their minds, independent thoughts, wealth, and bodies to this deity. The movie depicts this submission as being akin to consensual rape, where people willingly give in to a power that feeds off them.

This is also the story of a brave journalist who stood up for what is right, even if it went against societal norms or what the majority believed to be true. It serves as a lesson for present-day journalists who have willingly given up their independence and courage.

Maharaj, though weak in many areas, especially in the portrayal of women’s agency, is nevertheless an attempt by the makers to challenge the audience to reflect on their own beliefs and the societal norms they adhere to without question. It boldly reminds us that true power lies not in blind submission but in the courage to stand up for what is right. Watch it not just for entertainment, but for a stark and necessary reflection on our times. There’s no subtlety in the social messaging of Maharaj. It’s in your face and loud, Bollywood style. Maybe that’s the need of the hour now.

Upon reflection, maybe I have read too much into the story and with all honesty, I must admit that I skipped significant portions of the movie, including the songs, unnecessary dramatisation, and excessive dialogue, as they tested my patience. The prolonged and overly theatrical scenes detracted from the overall experience, making it difficult for me to stay engaged consistently.

Directed by:Siddharth P. Malhotra, Produced by: Aditya Chopra

Leading Cast:
Junaid Khan
Jaideep Ahlawat
Sharvari Wagh
Shalini Pandey